Recent Publications

Meryem Deniz

"Tragedy as an Open Network: Antigone in Ferguson and The Nurse Antigone," Reception Studies: New Challenges in a Changing World, ed. by Anastasia Bakogianni and Luis Unceta, De Gruyter, 2024, 307-328.

"The Entanglements of Matter, Mind, and Meaning: Novalis's 'Elastic Mode of Thinking,'" The Germanic Review: Literature, Culture, Theory, 2023, Vol. 98 (3): 249-263.

"Jean Paul's Acoustic Romanticism and Aeolian Soundscapes in Vorschule der Ästhetik and Titan," Monatshefte, 2022, Vol. 114 (2): 220-241.

"Lessing's Critical Hermeneutics and Elliptical Reading of Aristotle's Poetics," Lessing Yearbook, 2020, Vol. 47: 53-71.

Book Reviews:

Romantic Empiricism: Nature, Art, and Ecology from Herder to Humboldt (Dalia Nassar, Oxford University Press, 2022), Monatshefte, 2023, Vol. 115 (4): 679-681.

Turkish Guest Workers in Germany: Hidden Lives and Contested Borders, 1960s to 1980s (Jennifer A. Miller, University of Toronto Press, 2018), Focus on German Studies, 2019, Vol. 25/26: 141-145.
Heidi Denzel

Framing Islam: Faith, Fascination, and Fear in Twenty-First-Century German Culture (special issue of Colloquia Germanica, 2017, co-edited with Faye Stewart)
Biographische Fiktionen im interkulturellen Vergleich: Das Paradigma Denis Diderot (1765-2005). Würzburg: Königshausen und Neumann, 2008.
“Pantelion's 'Transborderscapes': Borders, Gender and Genre in No se aceptan devoluciones and Pulling Strings.” iMex. México Interdisciplinario. Interdisciplinary Mexico 9.17 (2020): 50-67.
“Interracial Romance, Taboo, and Desire in the Eastern Western Blutsbrüder.” Gender and Sexuality in East German Film: Intimacy and Alienation. Eds. Kyle Frackman and Faye Stewart. Rochester: Camden House. 2018, 126-145.
“’Islam Light’: Girly Muslim Power and Moderate Islamic Men in German Sitcoms.” Colloquia Germanica 47.1 (2014/2017): 107-131.
“Media Monitoring and Ethnicity. Representing Latino Families on American Television (2000-2013).” Nuevo Mundo. Mundos Nuevos December 16 (2013).
"La ville comme carte biographique: La ‘ha-géographie’ et ses pèlerins littéraires." Figurations de la ville-palimpseste. Eds. Ursula Bähler, Peter Fröhlicher, Patrick Labarthe, Christina Vogel. Tübingen: Narr Verlag, 2012, 147-159.
“Mímesis, metanarrativa y la “otra realidad” del teatro en las películas de Carlos Saura.” Escenarios compartidos: cine y teatro en España en el umbral del siglo XXI. Eds. Vera Berger et al. Bremen: LIT-Verlag, 2009, 195-206.
"Les biopics des femmes fortes. Réécriture biographiste, idéologique ou générique?" Siècle classique et cinéma contemporain. Eds. Margarete Zimmermann et al. Tübingen: Narr Verlag, 2009, 145-159.
Veronika Fuechtner

A Global History of Sexual Science 1880-1960, co-edited with Douglas E. Haynes and Ryan Jones, with essays by the editors and Sanjam Ahluwalia, Chiara Beccalossi, Pablo Ben, Shrikant Botre (with Haynes), Kate Fisher and Jana Funke, Rainer Herrn, Rebecca Hodes, Rachel Hsu, Ralph Leck, Kirsten Leng, Kurt MacMillan, Mark McLelland, Ishita Pande, Michiko Suzuki, Robert Deam Tobin, Angie Willey. With an Afterword by Howard Chiang (Berkeley: University of California Press, 2017).
Imagining Germany Imagining Asia: Essays in Asian-German Studies, co-edited with Mary Rhiel, with essays by the editors and Sai Bhatawadekar, Petra Fachinger, Randall Halle, David Kim, Hoi-eun Kim, Perry Myers, Kamakshi Murti, Qinna Shen, Quinn Slobodian, and Chunjie Zhang (Rochester: Camden House, October 2013).
Berlin Psychoanalytic: Psychoanalysis and Culture in Weimar Republic Germany and Beyond (University of California Press, 2011).
"Democracy Dies in the Kitchen," In: eds. Nikolai Blaumer, Benno Herz, Heike Catharina Mertens, Das Thomas Mann Haus in Pacific Palisades, Göttingen: Wallstein, 2023, 179-183.
"Der Sexualwissenschaftler Sigmund Freud – Eine globale Perspektive," Luzifer-Amor 72.2 (2023), 10-24.
"Die Welten der Manns," Literatur für Leser*innen 3/2023, 189-196."Die Welten der Manns," Literatur für Leser*innen 3/2023, 189-196.
"Writing Germany with Brazil: Julia Mann's Memoir." In: ed. Laurie Johnson, Writing Germany from the Outside, 151-167. New York: Bloomsbury, 2022.
"Freud und die Literatur: Die Anfänge der psychoanalytischen Erotik des Lesens." In: eds. Claudia Olk and Susanne Zepp, Jüdische Wissenskulturen und Allgemeine Literaturwissenschaft, 225-250. Berlin: De Gruyter, 2022.
with Paul Lerner et al., "Babylon Berlin: Media, Spectacle, and History," Central European History 53.4 (2021): 835-854.
"From Asian German Studies to Global German Studies?" Special forum on Asian German Studies in The German Quarterly 93/2 (2020):131-141.
"Sylvio Back's Lost Zweig (2002) und die transnationale Ästhetik von Exil und Faschismus." Montage AV 28/1 (May 2019): 55-68.
"Agnes Smedley between Berlin, Bombay and Beijing: Sexology, Communism and National Independence" In Towards a Global History of Sexual Science 1880-1960, edited by Veronika Fuechtner, Douglas E. Haynes and Ryan Jones, 398-421. Berkeley: University of California Press, 2017.
"Lisa Fittko's Passage to Cuba." In: Burcu Dogramaci, Elizabeth Otto, eds. Passagen des Exils/Exile Passages (Jahrbuch für Exilforschung 35), 126-140. Munich: edition text + kritik 10/ 2017.
"Springtime for Hitler Every Year: Dani Levy's Hitler comedy My Führer (2007)." In No Laughing Matter: Visual Humor in Ideas of Race, Nationality and Ethnicity, edited by David Bindman and Angela Rosenthal, 294-314. Lebanon, NH: University Press of New England, 2015.
"Die erträumte Stadt in G.W. Pabsts Geheimnisse einer Seele." In Metropolenzauber – Sexuelle Moderne und Urbaner Wahn, edited by Gabriele Dietze and Dorothea Dornhof, 345-366, Böhlau: Köln, 2014.
"Indians, Jews and Sex: Magnus Hirschfeld and Indian Sexology." In Imagining Germany Imagining Asia: Essays in Asian-German Studies, edited by Veronika Fuechtner and Mary Rhiel, 111-130. Rochester: Camden House, 2013.
"Moses in Palästina: Heine, Freud, Zweig." In Heinrich Heine und Sigmund Freud, edited by Sigrid Weigel, 165-184. Berlin: Kadmos Verlag, 2010.
"The International Project of National(ist) Film: Franz Osten in India." In The Many Faces of Weimar German Cinema, edited by Christian Rogowski, 167-181. Rochester: Camden House, 2010.
"From ultradoitsh to siegfriedisch: The Problem of a Multicultural Literature in Zé do Rock's Orthographies." In Gegenwartsliteratur. Interpretationen. Kritiken. Interventionen, edited by Marc Rectanus, 193-208, Bielefeld: Aisthesis Verlag, 2008.
"Arzt und Dichter: Alfred Döblin's medical, psychiatric and psychoanalytical work." In Camden House Companion to Alfred Döblin, edited by Roland Dollinger and Wulf Köpke, 111-139. Rochester: Camden House, 2004.
Gerd Gemünden

Lucrecia Martel (Urbana, IL: The Univesrity of Illinois Press, 2019)
Continental Strangers: German Exiles in Hollywood, 1933-1951 (Columbia University Press, 2014)
A Foreign Affair: Billy Wilder's American Films (Berghahn, 2008)

"The Making of Now: New Wave Cinema in Berlin and Buenos Aires." In: A Transnational Art Cinema: The Berlin School and Its Global Contexts Eds. Marco Abel and Jaimey Fisher. Detroit: Wayne State University Press, 2018. 293-312.
Germans and Indians: Fantasies, Encounters, Projections . Edited with Colin Calloway and Susanne Zantop (Nebraska University Press, 2002).
Framed Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination (Michigan University Press, 1998).
Die hermeneutische Wende: Disziplin und Sprachlosigkeit nach 1800 (Berghahn, 1990).
Irene Kacandes

“’And What About Your Mother?’” On Being Adjacent to Historical Violence. Edited Irene Kacandes. Berlin: De Gruyter Verlag. 2022. 299-314.
“How Co-Witnessing Could Transform the Post-Pandemic World.” # 10. In 13 Perspectives on the Pandemic: Thinking in a State of Exception. Ed. Rabea Rittgerodt. Berlin: de Gruyter Verlag, 2020.
“A Polish Childhood.” Eastern Europe Unmapped: Beyond Borders and Peripheries. Eds. Irene Kacandes and Yuliya Komska. New York: Berghahn Books, 2017. 248-268.
“Die Ungnade der späten Geburt: Challenges in the Twenty-First Century for Central Europeans. The German Studies Association Presidential Address 2016.” German Studies Review 40.2 (2017): 389-405.
Daddy's War: Greek American Stories: A Paramemoir. Lincoln: U of Nebraska P, 2009. Paperback edition 2012.
“Laying Claim to Painful Truths in Survivor- and Perpetrator-Family Memoir.” In Persistent Legacy. The Holocaust and German Studies. Eds. Erin McGlothlin and Jennifer M. Kapczynski. Rochester: Boydell & Brower/Camden House, 2016. 178-193.
Talk Fiction: Literature and the Talk Explosion , (Frontiers of Narrative Series), (2001).
Let's Talk about Death, with Steve Gordon (2015). Chinese translation with new foreword by the authors, 2019.
"Experimental Life Writing" in Routledge Encyclopedia of Experimental Literature. Eds. Joe Bray, Alison Gibson, Brian McHale. London: Routledge, 2012. 380-312.
"Displacement, Trauma, Language, Identity." in Women Writers at the Crossroads of Language. Eds. Valérie Cossy et al. Geneva: MetisPresses, 2009. 213-228.
Yuliya Komska

with Michelle Moyd and David Gramling, Linguistic Disobedience: Restoring Power to Civic Language. Palgrave Pivot, 2018.
with Irene Kacandes, eds. Eastern Europe Unmapped: Beyond Borders and Peripheries. New York: Berghahn Books, 2017.
The Icon Curtain: The Cold War's Quiet Border. Chicago: Chicago UP, 2015.
"A More Immanent Critique, or, Inside the House that Alexander Mitscherlich Built," New German Critique 50:150 (2023): 93-107.
"Jews, Animals, Migration: H. A. Rey's Commercial and Non-Commercial Nature Drawings in Brazil," in Tales That Touch, ed. Bettina Brandt and Yasemin Yildiz (DeGryuter, 2022), 165-187.
"Why Curious George Did Not Speak: The Conspicuous Multilingualism of Margret and H. A. Rey," German Studies Review 41:3 (2018): 505-528.
"Radio Free Europe/Radio Liberty Broadcasting and West German Society: Caught between Nature Protection and anti-Americanism," Journal of Cold War Studies 20:3 (2018): 180-206.
"Trade Publisher Archives: Repositories of Monolingualism? Houghton Mifflin and the Rejected Refugee Manuscripts in the Age of Total War," Seminar: A Journal of Germanic Studies (Fall 2017): 275-296.
"Surveillance and the Senses in a Documentary Portrait of Radio Free Europe," in Secret Police Files from the Eastern Bloc: Between Surveillance and Life Writing, ed. Alison Lewis, Corina Petrescu, and Valentina Glajar, 201-228. New York: Camden House, 2016.
"The Blurred Object of Communist Nostalgia: The Case of Radio Free Europe," Twentieth Century Communism 11 (Fall 2016): 159-173.
"Sight Radio: Radio Free Europe on Screen, 1951-1965," in Voices of Freedom—Western Interference? 60 Years of Radio Free Europe in Munich and Prague. Ed. Anna Bischof and Zuzanna Jürgens. Göttingen: Vandenhoeck & Ruprecht, 2015.
"Introduction. West Germany's Cold War Radio: A Crucible of the Transatlantic Century," as editor of special issue of German Politics and Society 32:1 (Spring 2014): 1-14.
"Theater at the Iron Curtain," German Studies Review 37:1 (Winter 2014): 87-108.
Petra S. McGillen

Taking Stock: Media Inventories in the German Nineteenth Century. Edited by Sean B. Franzel, Ilinca Iurascu, and Petra S. McGillen. Cultures and Practices of Knowledge in History; 18. Berlin; New York: De Gruyter, in press, expected October 2024.
The Fontane Workshop: Manufacturing Realism in the Industrial Age of Print. New Directions in German Studies; 26. New York; London: Bloomsbury Academic, July 2019.
Der Fontane-Workshop. Realismus-Manufaktur im Zeitalter der Druckmaschinen. Aus dem Englischen von Joe Paul Kroll in Zusammenarbeit mit der Autorin. Fontaneana; 19. Würzburg: Königshausen & Neumann, November 2023. [German translation of The Fontane Workshop]
"Sketched with an 'Oracular Pencil': Predictive Drawing and the Manipulation of Time in Nineteenth-century Illustrated Weeklies." Media History 30.2 (2024): 129–147. DOI: 10.1080/13688804.2024.2343483.
"'I Was There Today': Fake Eyewitnessing and Journalistic Authority, from Fontane to Relotius." Journalists and Knowledge Practices: Histories of Observing the Everyday in the Newspaper Age. Ed. Hansjakob Ziemer. London; New York: Routledge 2023, 25–49. DOI: 10.4324/9781003111993-3
"The False Correspondent's Real Scene of Writing: Capturing an Elusive Figure in the History of Nineteenth-Century News Work." Modern Language Notes 136.5 (December 2021): 1032–1049 [Comparative Literature Special Issue: The Scene of Writing, ed. Bryan Klausmeyer, Johannes Wankhammer, and Andrea Krauss]. DOI: 10.1353/mln.2021.0078
"Fontane Goes to J-School. Theodor Fontanes Englandjahre und die Entstehung journalistischer Autorität im Pre-Truth-Zeitalter." Colloquia Germanica 52.1–2 (Fall, 2020). Special Issue on Theodor Fontane. Ed. John Lyon and Brian Tucker, 11–26.
"The Business of Criticism: Theodor Fontane and Wilhelm Hertz's Media Campaign for Vor dem Sturm." Market Strategies and German Literature in the Long Nineteenth Century. Ed. Vance Byrd and Ervin Malakaj. Interdisciplinary German Studies. Berlin: de Gruyter, 2020, 282–311. DOI: 10.1515/9783110660142-011
"Ein kreativer Apparat. Die Mediengeschichte von Theodor Fontanes Bibliotheksnetz und Lektürepraktiken." Fontane Blätter 103 (2017): 100–123. [Invited Translation of "A Creative Machine," see below.]
"The Romantic Editor as Modern Media Practitioner: The Poetics of Reading in Ludwig Tieck's Minnelieder Anthology." German Life and Letters, Special Issue: Das Erblühen der Blumenlesen. German Anthologies, 1700–1850, eds. Nora Ramtke and Seán M. Williams, German Life and Letters 70.1 (2017): 57–78. DOI 10.1111/glal.12139
"Wit, Bookishness, and the Epistemic Impact of Note-Taking: Lichtenberg's Sudelbücher as Intellectual Tools," Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 90.4 (2016): 501–528. DOI: 10.1007/s41245-016-0025-8
"Andauernder Effekt: Medienkonkurrenz und Rhetorik in Heinrich Heines Napoleon-Schriften." Zwischen Gattungsdisziplin und Gesamtkunstwerk. Intermedialität 1815 – 1848. Eds. Stefan Keppler-Tasaki, Wolf G. Schmidt. Berlin: De Gruyter 2015, 203-222. DOI 10.1515/9783110404128.203
"Kompilieren." Historisches Wörterbuch des Mediengebrauchs. Eds. Heiko Christians, Matthias Bickenbach, and Nikolaus Wegmann. Köln: Böhlau 2014, 352–368.
"A Creative Machine: The Media History of Theodor Fontane's Library Network and Reading Practices." The Germanic Review 87.1 (2012): 72–90. DOI 10.1080/00168890.2012.654440
Michael McGillen

Shapes of Time: History and Eschatology in the Modernist Imagination. Ithaca, NY: Cornell University Press, 2023. (Series: "Signale: Modern German Letters, Cultures and Thought").

"Reality's Return: On the Inconsolability of Memory in Sebald." Gegenwartsliteratur: A German Studies Yearbook 22 (2023): 265–288.

"Husserl's Image Worlds and the Language of Phenomenology." Phenomenology to the Letter: Husserl and Literature. Eds. Rochelle Tobias, Kristina Mendicino, and Philippe P. Haensler. Berlin: De Gruyter, 2021. 23–44.

"Orientation in Pictures: Multistable Spaces in Kafka and Beckett." Word & Image, 36.3 (2020): 225–236.

"Free Variation from the Archive of Culture: Blumenberg and Husserl on Phenomenological Description." Leistungsbeschreibung / Describing Cultural Achievements: Literarische Strategien bei Hans Blumenberg / Hans Blumenberg's Literary Strategies. Eds. Timothy Attanucci and Ulrich Breuer. Heidelberg: Universitätsverlag Winter, 2020. 73–94.

"Historical Passages and Scenes of Transport in Uwe Johnson's Jahrestage." The Germanic Review, 93.2 (2018): 130–154.

"Erich Auerbach and the Seriality of the Figure." New German Critique, no. 133 (2018): 111–154.

"Zwischen Bildlichkeit und Auflösung des Bildes: Ästhetik des Religiösen in Hugo Balls expressionistischen Gedichten." Expressionismus 3 (2016): 83–91.

"Lapsarian Repetitions: Iterations of the Fall in Kafka and Kierkegaard." Kafka und die Religion in der Moderne / Kafka, Religion, and Modernity. Eds. Manfred Engel and Ritchie Robertson. Würzburg: Königshausen & Neumann, 2014. 93–115.

"Theology's Weimar Moment: History before the Eschatological Limit." The Weimar Moment: Liberalism, Political Theology, and Law. Eds. Leonard Kaplan and Rudy Koshar, Lanham: Lexington Books, 2012. 269–287.
Klaus Mladek

A Politics of Melancholia: Plato to Arendt (Princeton University Press, 2023, with George Edmondson).

In the Wake of the Plague: Eros and Mourning, eds. Klaus Mladek and James Godley (Evanston: Northwestern University Press, forthcoming).

"Gerechtigkeit," in Enzyklopädie der Genauigkeit, eds. Markus Krajewski, Antonia von Schöning & Mario Wimmer (Konstanz: Konstanz University Press & Wallstein, 2021), 184-197.

In English We Trust: Can We Be Global Citizens Without Knowing Foreign Languages? (The Hill, 4/4/19) (with Kristin O'Rourke)

Whatever Happened to Justice for All? (Los Angeles Review of Books, 1/11/18)

Why justice is more important than the rule of law (The Conversation, 12/19/17)

Reclaiming the Populist Moment (Alternet, 10/9/17)

Merkel Won, So Why Aren't Germans Celebrating? (Cognoscenti, 9/27/17)

Gorsuch and the Crisis of Poetic Justice (The Huffington Post, 5/5/17)
"Twelve Theses on Populism," Gespenster des Wissens, eds. Ute Holl, Claus Pias & Burkhardt Wolf (Zurich: Diaphanes, 2017), 261-270.
"Natural History: Towards a Politics of Crisis" (with G. Edmondson), in Sovereignty in Ruins: A Politics of Crisis, eds. George Edmondson & Klaus Mladek (Durham and London: Duke University Press, 2017), 30-68.
"Introduction: Sovereignty Crises" (with G. Edmondson), in Sovereignty in Ruins: A Politics of Crisis, eds. George Edmondson & Klaus Mladek (Durham and London: Duke University Press, 2017), 9-27.
"Folter und Scham: Anmerkungen zu Guntánamo und Abu Ghraib," Wahrheit und Gewalt: Der Diskurs der Folter in Europa und den USA, ed. Thomas Weitin (Bielefeld: Transcript Verlag, 2010), 243-266.
"A Politics of Melancholia" (with George Edmondson), A Leftist Ontology, ed. Carsten Strathausen (Minneapolis: University of Minnesota Press, 2009), 208-233.
Introduction to Police Forces: A Cultural History of an Institution, ed. Klaus Mladek (New York: Palgrave, 2007), 1-9.
"Exception Rules: Contemporary Political Theory and the Police," Police Forces: A Cultural History of an Institution, ed. Klaus Mladek (New York: Palgrave, 2007), 221-265.
"Dikastomania : Die Amerikanische Entscheidung," in Urteilen und Entscheiden, Cornelia Vismann and Thomas Weitin (eds.), (2006), 186-203
"Der Widerstand der Dinge und die Macht der Unvernunft. Hegels 'Spekulativer Positivismus,'" in Umwege des Lesens: Aus dem Labor Philologischer Neugierde, C Hoffmann and C Welsh (eds.), (2006) 141-159.
"Gotta Read Kafka: Nine Reasons Why Kafka is Crucial for the Study of Law," Studies in Law, Politics and Society 31, Spring 2004, 89-116.
"The Psychic Life of Punishment (Kant, Nietzsche, Freud)," Punishment, Politics and Culture, ed. Austin Sarat (London: Elsevier Press, 2003), 211-245.
"Radical Play: Gesture, Performance, and the Theatrical Logic of the Law in Kafka," The Germanic Review 78 (3), Summer 2003, 223-249.
"Es spukt. Im eigenen Haus. Unheimliches, Schuld und Gewissen: Zum Einbruch der ethischen Frage bei Kant, Freud und Heidegger," Die Grenzen der Sprache. Sprachimmanenz--Sprachtranszendenz, eds. Christoph Asmuth, Friedrich Glauner, Burkhard Mojsisch, (Amsterdam: Benjamins, 1998), 125-173.
"Das faszinierende Schreckbild des 'mortuary of easy going.' - Kalifornien, Disneyland und Kulturindustrie bei Adorno und Baudrillard," Kleine Lauben, Arcadien und Schnabelewopski, ed. Ingo Wintermeyer (Würzburg: Königshausen & Neumann, 1995), 197-218.
"'Ein eigentümlicher Apparat.' Franz Kafkas In der Strafkolonie," Text+Kritik. Sonderband zu Franz Kafka, ed. Heinz Ludwig Arnold (Munich: Edition text+kritik, 1994), 115-142.
Ellis Shookman

Noble Lies, Slant Truths, Necessary Angels: Aspects of Fictionality in the Novels of Christoph Martin Wieland (University of North Carolina Press, 1997).
Thomas Mann's Death in Venice : A Novella and Its Critics (Camden House, 2003).
Thomas Mann's Death in Venice : A Reference Guide (Greenwood, 2004).

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Ed. and Trans., Eighteenth-Century German Prose, Volume 10 of The German Library (Continuum, 1992).
Ed., The Faces of Physiognomy: Interdisciplinary Approaches to Johann Caspar Lavater (Camden House, 1993).

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"Hermann von Pückler-Muskau." Dictionary of Literary Biography. Vol. 133, Nineteenth Century German Writers to 1840, edited by James Hardin and Siegfried Mews, 233-42 (Gale, 1993).
"Lüneburg Leatherstocking: Arno Schmidt and James Fenimore Cooper." In Traditions of Experiment from the Enlightenment to the Present: Essays in Honor of Peter Demetz, edited by Nancy Kaiser and David Wellbery, 249-74. (University of Michigan Press, 1992).
"The Magic Mountain: A 'Humoristic Counterpart' to Death in Venice." In Thomas Mann's The Magic Mountain: A Casebook, edited by Hans Rudolf Vaget, 219-44. (Oxford University Press, 2008).
"Personal Classicism: Greek and Roman Antiquity in Wieland's Correspondence." In Weimar Classicism: Studies in Goethe, Schiller, Forster, Berlepsch, Wieland, Herder, and Steiner, edited by David Gallagher, 99-122 (Mellen, 2011).
"Intertextuality, Agathon, and Ion: Wieland's Novel, Euripides's Tragedy, Plato's Dialogue," Lessing Yearbook 22 (1990): 199-217.

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"Barthes's Semiological Myth of Brecht's Epic Theater." Monatshefte 81.4 (1989): 459-75.
"Making History in Hans Fallada's Bauern, Bonzen und Bomben: Schleswig-Holstein, Nazism, and the Landvolkbewegung." German Studies Review 13.3 (1990): 461-80.
"Smiley lächelt: John le Carré and German Literature." Oxford German Studies 25 (1996): 135-64.
"Goethe's Baccalaureus and the Concept of Romantic Irony in Faust." European Romantic Review 20.4 (2009): 491-511.
"The Role of References to German Literature in Longfellow's Hyperion." ANGERMION 2 (2009): 111-26.
"Lays of the Land: Germany in Longfellow's Poems of Places." ANGERMION 3 (2010): 97-115.
"Attitudes To North America in Wieland's Teutscher Merkur." Journal for Eighteenth-Century Studies 34.1 (2011): 81-100.
"Brook Farm and Beyond: German Thought and Literature in The Harbinger, 1845-1849." German Studies Review 34.3 (2011): 373-94.